Writings on the Wall
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|Author by||: Tom Standage|
|Editor||: A&C Black|
Today we are endlessly connected: constantly tweeting, texting or e-mailing. This may seem unprecedented, yet it is not. Throughout history, information has been spread through social networks, with far-reaching social and political effects. Writing on the Wall reveals how an elaborate network of letter exchanges forewarned of power shifts in Cicero's Rome, while the torrent of tracts circulating in sixteenth-century Germany triggered the Reformation. Standage traces the story of the rise, fall and rebirth of social media over the past 2,000 years offering an illuminating perspective on the history of media, and revealing that social networks do not merely connect us today – they also link us to the past.
|Author by||: Kareem Abdul-Jabbar,Raymond Obstfeld|
|Editor||: Time Inc. Books|
A New York Times and Washington Post Bestseller Bestselling author, basketball legend and cultural commentator Kareem Abdul-Jabbar explores the heart of issues that affect Americans today. Since retiring from professional basketball as the NBA's all-time leading scorer, six-time MVP, and Hall of Fame inductee, Kareem Abdul-Jabbar has become a lauded observer of culture and society, a New York Times bestselling author, and a regular contributor to The Washington Post, TIME magazine and TIME.com. He now brings that keen insight to the fore in Writings on the Wall: Searching for a New Equality Beyond Black and White, his most incisive and important work of non-fiction in years. He uses his unique blend of erudition, street smarts and authentic experience in essays on the country's seemingly irreconcilable partisan divide - both racial and political, parenthood, and his own experiences as an athlete, African-American, and a Muslim. The book is not just a collection of expositions; he also offers keen assessments of and solutions to problems such as racism in sports while speaking candidly about his experiences on the court and off. Timed for publication as the nation debates whom to send to the White House, the combination of plain talk on issues, life lessons, and personal stories places Writings on the Wall squarely in the middle of the conversation, as many of Abdul-Jabbar's topics are at the top of the national agenda. Whether it is sparring with Donald Trump, within the pages of TIME magazine, or full-length features in the The New York Times Magazine, writers, critics, and readers have come to agree on what The Washington Post observed: Abdul-Jabbar "has become a vital, dynamic and unorthodox cultural voice."
|Author by||: Juliet Rieden|
|Editor||: Macmillan Publishers Aus.|
'Memoirs such as this will ensure we do not lose the struggle against "forgetting" - that sly accomplice of tyranny' Magda Szubanski In 1939, as Hitler's troops march on Prague, a Jewish couple makes a heartbreaking decision that will save their eight-year-old son's life but change their family forever. Australian journalist Juliet Rieden grew up in England in the 1960s and 70s always sensing that her family was different in some way. She longed to have relatives and knew precious little about her Czech father's childhood as a refugee. On the night before Juliet's father died, in 2006, Juliet's father suddenly looked up and said: 'The plane is in the hangar.' In the years after his death, Juliet comes to truly understand the significance of these words. On a trip to Prague she is shocked to see the Rieden name written many times over on the walls of the Pinkas Synagogue memorial. These names become the catalyst for a life-changing journey that uncovers a personal Holocaust tragedy of epic proportions. Juliet traces the grim fate of her father's cousins, aunts and uncles on visits to Auschwitz and Theresienstadt concentration camps and learns about the extremes of cruelty, courage and kindness. Then in a locked box in Britain's National Archives, she discovers a stash of documents including letters from her father that reveal intimate details of his struggle. Meticulously researched and beautifully told, this is the moving story of a woman's quest to piece together the hidden parts of her father's life and the unimaginable losses he was determined to protect his children from.
|Author by||: Lindsey V. Sharman|
|Editor||: Board of Governors of the University of Calgar|
The Writing on the Wall tells the story of the art and life of Siksika (Blackfeet) artist, curator, writer and activist Dr. Joane Cardinal-Schubert, RCA.
|Author by||: Mumia Abu-Jamal|
|Editor||: City Lights Books|
From the first slave writings to contemporary hip hop, the canon of African American literature offers a powerful counter-narrative to dominant notions of American culture, history, and politics. Resonant with voices of prophecy and resistance, the African American literary tradition runs deep with emancipatory currents that have had an indelible impact on the United States and the world. Mumia Abu-Jamal has been one of our most important contributors to this canon for decades, writing from the confines of the US prison system to give voice to those most silenced by chronic racism, impoverishment, and injustice. Writing on the Wall is a selection of one hundred previously unpublished essays that crystalize Mumia Abu-Jamal's essential perspectives on community, politics, power, social change, and US history. From discussions of Rosa Parks and Trayvon Martin to John Walker Lindh and Edward Snowden, Abu-Jamal articulates lucid, humorous, and often prescient insight into the past, present, and future of American politics and society. Written as radio commentaries from his prison cell in Death Row, where he was held in solitary confinement for close to thirty years, Mumia's revolutionary perspective brims with hope, encouragement, and profound faith in the possibility of social change and redemption. MUMIA ABU-JAMAL is an award-winning journalist and author of two best-selling books,Live From Death Row and Death Blossoms, which address prison life from a critical and spiritual perspective. In 1981 he was elected president of the Association of Black Journalists (Philadelphia chapter). That same year he was arrested for allegedly killing a white police officer in Philadelphia. He was convicted and sentenced to death in 1982, in a process that has been described as an epic miscarriage of justice. After spending more than 28 years on death row, in 2011 his death sentence was vacated when the Supreme Court allowed to stand the decisions of four federal judges who had earlier declared his death sentence unconstitutional. He is now serving a life sentence without the possibility of parole. In spite of his three-decade-long imprisonment, most of which was spent in solitary confinement on Death Row, Abu-Jamal has relentlessly fought for his freedom and for his profession. From prison he has written seven books and thousands of radio commentaries. He holds a BA from Goddard College and an MA from California State University, Dominguez Hills. His books have sold more than 100,000 copies and have been translated into seven languages. JOHANNA FERNÁNDEZ is a former Fulbright Scholar to Jordan and Assistant Professor of History at Baruch College of the City University of New York where she teaches 20th Century US history and African American History. She is author of the forthcomingWhen the World Was Their Stage: A History of the Young Lords Party, 19681976 (Princeton University Press). Fernandez is the writer and producer of the film,Justice on Trial: the Case of Mumia Abu-Jamal and she is featured in the critically acclaimed documentary about Mumia Abu-Jamal,Long Distance Revolutionary. Her writings have been published internationally, fromAl Jazeera to the Huffington Post. She gives interviews often and has appeared in a diverse range of print, radio, online and televised media includingDemocracy Now! with Amy Goodman, the Fox News shows Hannity and Megyn Kelley, Al Jazeera and The New York Times. She is a coordinator of the Campaign to Bring Mumia Home. CORNEL WEST is a scholar, philosopher, activist and author of over a dozen books including his bestseller,Race Matters. He appears frequently in the media, and has appeared on the Bill Maher Show, Colbert Report, CNN and C-Span as well as on Tavis Smiley's PBS TV Show.
|Author by||: Karen B. Stern|
|Editor||: Princeton University Press|
Few direct clues exist to the everyday lives and beliefs of ordinary Jews in antiquity. Prevailing perspectives on ancient Jewish life have been shaped largely by the voices of intellectual and social elites, preserved in the writings of Philo and Josephus and the rabbinic texts of the Mishnah and Talmud. Commissioned art, architecture, and formal inscriptions displayed on tombs and synagogues equally reflect the sensibilities of their influential patrons. The perspectives and sentiments of nonelite Jews, by contrast, have mostly disappeared from the historical record. Focusing on these forgotten Jews of antiquity, Writing on the Wall takes an unprecedented look at the vernacular inscriptions and drawings they left behind and sheds new light on the richness of their quotidian lives. Just like their neighbors throughout the eastern and southern Mediterranean, Mesopotamia, Arabia, and Egypt, ancient Jews scribbled and drew graffiti everyplace--in and around markets, hippodromes, theaters, pagan temples, open cliffs, sanctuaries, and even inside burial caves and synagogues. Karen Stern reveals what these markings tell us about the men and women who made them, people whose lives, beliefs, and behaviors eluded commemoration in grand literary and architectural works. Making compelling analogies with modern graffiti practices, she documents the overlooked connections between Jews and their neighbors, showing how popular Jewish practices of prayer, mortuary commemoration, commerce, and civic engagement regularly crossed ethnic and religious boundaries. Illustrated throughout with examples of ancient graffiti, Writing on the Wall provides a tantalizingly intimate glimpse into the cultural worlds of forgotten populations living at the crossroads of Judaism, Christianity, paganism, and earliest Islam.
|Author by||: Aeyal Gross|
|Editor||: Cambridge University Press|
As Israel's control of the Occupied Palestinian Territory nears its fiftieth anniversary, The Writing on the Wall offers a critical perspective on the international law of occupation. Advocating a normative and functional approach to occupation and to the question of when it exists, it analyzes the application of humanitarian and human rights law, pointing to the risk of using the law of occupation in its current version to legitimize new variations of conquest and colonialism. The book points to the need for reconsidering the law of occupation in light of changing forms of control, such as those evident in Gaza. Although the Israeli occupation is a main focal point, the book broadens its compass to look at other cases, such as Iraq, Northern Cyprus, and Western Sahara, highlighting the role that international law plays in all of these cases.
|Author by||: Baz Dreisinger|
|Editor||: Other Press, LLC|
In this crucial study, named one of the Washington Post's Notable Nonfiction Books of 2016 and now in paperback, Baz Dreisinger goes behind bars in nine countries to investigate the current conditions in prisons worldwide. Beginning in Africa and ending in Europe, Incarceration Nations is a first-person odyssey through the prison systems of the world. Professor, journalist, and founder of the Prison-to-College-Pipeline program, Dreisinger looks into the human stories of incarcerated men and women and those who imprison them, creating a jarring, poignant view of a world to which most are denied access, and a rethinking of one of America's most far-reaching global exports: the modern prison complex. From serving as a restorative justice facilitator in a notorious South African prison and working with genocide survivors in Rwanda, to launching a creative writing class in an overcrowded Ugandan prison and coordinating a drama workshop for women prisoners in Thailand, Dreisinger examines the world behind bars with equal parts empathy and intellect. She journeys to Jamaica to visit a prison music program, to Singapore to learn about approaches to prisoner reentry, to Australia to grapple with the bottom line of private prisons, to a federal supermax in Brazil to confront the horrors of solitary confinement, and finally to the so-called model prisons of Norway. Incarceration Nations concludes with climactic lessons about the past, present, and future of justice.
|Author by||: John Malcolm Russell|
|Editor||: Penn State Press|
It is too often forgotten that every Assyrian “historical” inscription functioned in a very specific context. This context influenced its content and the way in which it was perceived by ancient viewers and readers. Russell’s goal is to address the reconstruction of the context of these inscriptions in order to elucidate their original impact. In the past, the palace inscriptions, including Assyrian palace inscriptions, have been published in composite editions with little or no reference to the provenience of the individual exemplars; in addition, the original excavation reports often were more interested in the content of the inscriptions than in their locations. To achieve the objective of placing these inscriptions in their original contexts and thereby provide a base for further study of them, and stimulated by two seasons of renewed excavations at Nineveh during which he studied many inscriptions in situ, Russell returned to the British Museum and Layard’s original, handwritten notes from the 19th century excavations at Nineveh—the goal being to catalogue fully and as completely as possible the individual inscriptions and their locations. The results of Russell’s labors are here published, including the first publication of several shorter inscriptions. The book is lavishly illustrated, both with museum photos and with photos by the author of many of the inscriptions in situ. The book will no doubt be the basis of all further study of the relationship between inscription and context in the palaces of the Assyrian kings.
|Author by||: Robert M. Hensel|
|Editor||: Createspace Independent Publishing Platform|
Writings On the Wall: Disability Advocate's Uplifting Book of Poetry Hits Humanity with Bold Message of Hope - as Love, War & Peace Collide. Masterfully crafted by leading disability advocate, world-record holder and prolific writer - Robert M. Hensel - 'Writings on the Wall: Inspirational Poems & Quotes' is a product of the author's own unique life experiences. Confined to mobility via a wheelchair, Hensel has broken through the odds, and adversity, to emerge as something of a celebrity among those also living with physical limitation. In this latest volume, Hensel unravels his soul, to prove that hope and peace will always prevail.
|Author by||: John Malcolm Russell|
It is too often forgotten that every Assyrian "historical" inscription functioned in a very specific context. This context influenced its content and the way in which it was perceived by ancient viewers and readers. Russell's goal is to address the reconstruction of the context of these inscriptions in order to elucidate their original impact. In the past, the palace inscriptions, including Assyrian palace inscriptions, have been published in composite editions with little or no reference to the provenience of the individual exemplars; in addition, the original excavation reports often were more interested in the content of the inscriptions than in their locations. To achieve the objective of placing these inscriptions in their original contexts and thereby provide a base for further study of them, and stimulated by two seasons of renewed excavations at Nineveh during which he studied many inscriptions in situ, Russell returned to the British Museum and Layard's original, handwritten notes from the 19th century excavations at Nineveh--the goal being to catalogue fully and as completely as possible the individual inscriptions and their locations. The results of Russell's labors are here published, including the first publication of several shorter inscriptions. The book is lavishly illustrated, both with museum photos and with photos by the author of many of the inscriptions in situ. The book will no doubt be the basis of all further study of the relationship between inscription and context in the palaces of the Assyrian kings.
|Author by||: Kenn J. Merchant|
Writings On The Wall is a collection of poetry that depicts situations of every day life such as: loss of love, finding your way, exploring the world, political fiascoes, and entering your imagination.
|Author by||: Tom Standage|
|Editor||: Anchor Canada|
Whatever your favourite tipple, when you pour yourself a drink, you have the past in a glass. You can likely find them all in your own kitchen — beer, wine, spirits, coffee, tea, cola. Line them up on the counter, and there you have it: thousands of years of human history in six drinks. Tom Standage opens a window onto the past in this tour of six beverages that remain essentials today. En route he makes fascinating forays into the byways of western culture: Why were ancient Egyptians buried with beer? Why was wine considered a “classier” drink than beer by the Romans? How did rum grog help the British navy defeat Napoleon? What is the relationship between coffee and revolution? And how did Coca-Cola become the number one poster-product for globalization decades before the term was even coined?
|Author by||: Gautam Bhatia|
|Editor||: Harper Collins|
Mithila's world is bound by a Wall enclosing the city of Sumer - nobody goes out, nothing comes in. The days pass as they have for two thousand years: just enough to eat for just enough people, living by the rules. Within the city, everyone knows their place. But when Mithila tries to cross the Wall, every power in Sumer comes together to stop her. To break the rules is to risk all of civilization collapsing. But to follow them is to never know: who built the Wall? Why? And what would the world look like if it didn't exist? As Mithila and her friends search for the truth, they must risk losing their families, the ones they love, and even their lives. Is a world they can't imagine worth the only world they have? For fans of Isaac Asimov's Nightfall and Ursula Le Guin's The Dispossessed comes an astonishingly powerful voice in speculative fiction that explores what it means to truly be free.
|Author by||: Adrian Daub,Charles Kronengold|
|Editor||: Oxford University Press|
Starting with 1964's Goldfinger, every James Bond film has followed the same ritual, and so has its audience: after an exciting action sequence the screen goes black and the viewer spends three long minutes absorbing abstract opening credits and a song that sounds like it wants to return to 1964. In The James Bond Songs authors Adrian Daub and Charles Kronengold use the genre to trace not only a changing cultural landscape, but also evolving conceptions of what a pop song is. They argue that the story of the Bond song is the story of the pop song more generally, and perhaps even the story of its end. Each chapter discusses a particular segment of the Bond canon and contextualizes it in its era's music and culture. But the book also asks how Bond and his music reflected and influenced our feelings about such topics as masculinity, race, money, and aging. Through these individual pieces the book presents the Bond song as the perfect anthem of late capitalism. The Bond songs want to talk about the fulfillment that comes from fast cars, shaken Martinis and mindless sex, but their unstable speakers, subjects, and addressees actually undercut the logic of the lifestyle James Bond is sworn to defend. The book is an invitation to think critically about pop music, about genre, and about the political aspects of popular culture in the twentieth century and beyond.
|Author by||: Anna-Marie McLemore|
For twenty years, the Palomas and the Corbeaus have been rivals and enemies, locked in an escalating feud for over a generation. Both families make their living as traveling performers in competing shows-the Palomas swimming in mermaid exhibitions, the Corbeaus, former tightrope walkers, performing in the tallest trees they can find. Lace Paloma may be new to her family's show, but she knows as well as anyone that the Corbeaus are pure magia negra, black magic from the devil himself. Simply touching one could mean death, and she's been taught from birth to keep away. But when disaster strikes the small town where both families are performing, it's a Corbeau boy, Cluck, who saves Lace's life. And his touch immerses her in the world of the Corbeaus, where falling for him could turn his own family against him, and one misstep can be just as dangerous on the ground as it is in the trees. Beautifully written, and richly imaginative, Anna-Marie McLemore's The Weight of Feathers is an utterly captivating young adult novel by a talented new voice.
|Author by||: H. P. Lovecraft|
"The Rats in the Walls" is a story by American author H. P. Lovecraft. Narrated by the scion of the de la Poer family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory, which had fallen into ruins. Much to the dismay of nearby residents, he restores the Priory while plainly showing ignorance of the horrific history of the place. After moving in, on several occasions, the protagonist and his cats, specifically his favorite cat, hear the eponymous rats scurrying behind the walls. Upon investigating further (and as revealed in repetitive dreams), he finds that his family had maintained an underground city for centuries; and that previous generations of his family fed on human flesh, even going so far as to raise generations of "human cattle," including some which had regressed to a quadrupedal state. In the end, the protagonist, unknowingly maddened by the revelations of his family's past and driven by the stronger force of his own heritage, attacks one of his friends in the dark of the cavernous city and begins eating him. He is subsequently subdued and locked in a mental institution. At least one other investigator, Thornton, has gone insane as well. Soon after, Exham Priory is destroyed. The protagonist of the story maintains his innocence, proclaiming that it was "the rats, the rats in the walls," who ate the man. The rats still persist, however, as he continues to be plagued by the sounds and sights of rats in the walls of his cell.